“Whether it be the sweeping eagle in his flight, or the open apple-blossom, the toiling work-horse, the blithe swan, the branching oak, the winding stream at its base, the drifting clouds, over all the coursing sun, form ever follows function, and this is the law. Where function does not change, form does not change. The […]Read More Meaning in Architecture: Why, Why Not A Face?
My first viewing of Wong Kar-Wai’s deeply melancholic In The Mood for Love (2000) was also the first time I’ve heard of Bengawan Solo in a foreign film or any foreign media for that matter. It was odd and surprising. I was completely ignorant of the influence this local Indonesian folk song had overseas before […]Read More Bengawan Solo: How an Indonesian folk song became the post-WWII Asian Zeitgeist