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film analysis

ArticlesCinemaFeatures
·May 11, 2023·6 min read

INCANTATION: The Anatomy of a Film That Places a Curse on its Viewers

ArticlesCinemaReview
·February 9, 2023·6 min read

Pulse (2001) Review | An Equivocal Techno-Paranoia That Deconstructs The Meaning of Watching Horror

ArticlesCinemaReview
·December 14, 2022·4 min read

Decision to Leave Review | Lust from the Mountain to the Sea

ArticlesCinemaFeatures
·March 15, 2022·12 min read

Portraying Neurodevelopmental Disorders and Primary Caretakers in Mother (2009)

ArticlesCinemaFeatures
·January 29, 2021·8 min read

Godzilla (1954): Reconfiguring National Trauma Into National Symbol

ArticlesCinemaFeatures
·September 22, 2020·12 min read

Indonesian Films At The Center of its anti sexual violence discourse: Shifting People’s Perspective From Posesif to 27 Steps of May

ArticlesCinemaReview
·February 14, 2023·5 min read

The Banshees of Inisherin Review | An Ambivalent Irish Quasi-Tragicomedy

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·December 23, 2022·4 min read

Fire of Love Review | A Legacy of Affection, Spectacle and Adventure

ArticlesCinemaFeatures
·July 6, 2022·5 min read

Transgress Mecha-Transhuman Origins with Titane (2021)

ArticlesCinemaFeatures
·May 6, 2021·16 min read

The Physical and Sociological Distance of Wealth Inequality: Bong Joon-Ho’s ‘Parasite’ and Akira Kurosawa’s ‘High and Low’

ArticlesCinemaFeatures
·November 5, 2020·15 min read

The Soothing Apocalypse of Studio Ghibli Films

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·September 19, 2020·14 min read

Filmography: Takeshi Kitano

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INCANTATION: The Anatomy of a Film That Places a Curse on its Viewers

The Cinematic Narrative of Frank Ocean’s Pyramids

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Pulse (2001) Review | An Equivocal Techno-Paranoia That Deconstructs The Meaning of Watching Horror

Bengawan Solo: How an Indonesian folk song became the post-WWII Asian Zeitgeist

Women in Possession Films: From Possessed To Possessors?

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When Photography Encounters Melodrama

Fresh News of Modernity: The Sensation of Rantau in the Big Village

The Question is, Does The Wind of Freedom Called Reformation Accompany Daun di Atas Bantal and Kuldesak?

Modernity as Performance: What’s Marriage and Family, Anyway?

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